Jill Ford has been part of the Acrobatic Arts family from the very beginning. As a Course Conductor and owner of Supernova Acro Studio in Edmonton, she has spent years building something truly special. And then it happened. Jill, her daughters Zoe and Jada, and their entire Supernova crew took the stage on America's Got Talent as the Acro Canine Crew and Terry Crews ran straight to that golden buzzer.

In this episode Loren and Jill go way back, and that history makes this conversation something really special. They get into the origin story of Supernova, Jill's deep commitment to Acrobatic Arts, how she kept the whole thing a secret with a studio full of young dancers and excited families, and yes, the dogs. They talk about what it actually felt like standing in those wings, the moment the golden buzzer went off, and what has changed since that confetti fell.

This one is for every studio owner who has ever dreamed big for their students.

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About Jill 

Jill was originally from Regina, Saskatchewan where she danced competitively in the areas of ballet, jazz, tap, acrobatics and baton twirling for 17 years. She went on to teaching  dance, baton and acrobatics  in her home city  and now resides in Edmonton, Alberta where she has opened her own studio specializing in Acrobatics and Baton Twirling.  She completed her bachelor of Education (k-5) at the University of Regina which has furthered her expertise as an acrobatic and dance  teacher. Jill has travelled the  world  as an athlete and coach representing Canada at 8 World Baton Twirling Championships and now continually is committed to keeping young children involved in the areas of acrobatics, dance and baton twirling.  She is very happy and honoured to be part of the Acrobatic Arts staff and loves sharing her passion and knowledge with students and teachers!

Jill's credentials include: Bachelor of Education, Canadian Dance Teachers Association Certified Teacher, Canadian Baton Twirling Association Level 2 Coach, Inductee of the Saskatchewan Sports Hall of Fame.

Listen to other episodes with Jill Ford:

Ep. 44 More Than You Think: The Benefits of Acro Exams with Jill Ford: https://youtu.be/Rh1gw-9674I
Ep. 68 Top 3 Tips for Front Aerials with Jill Ford: https://youtu.be/GvzYonPFHH8
Ep. 86 Breaking Down the Handstand Forward Roll: Strategies with Jill Ford: https://youtu.be/xSAcCMtASpc

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PODCAST TRANSCRIPTION

Loren  0:00  
Hey everyone, welcome to the Acrobatic Arts podcast. I'm Loren, and I will be interviewing some of the top leaders and innovators from the dance and acrobatic industry. If you are a teacher, performer, student, or a lifelong learner like myself, you are sure to find these episodes intriguing and full of inspiration. 

Loren  0:21  
Acrobatic Arts is passionate about providing current and relevant information for everyone, so please sit back and enjoy as we share our passion with you and the world. 

Loren  0:35  
Stop everything. I need you to drop whatever you are doing and focus in, because today's guest just had one of the most jaw-dropping moments I have seen in a very long time, maybe ever. Jill Ford has been a part of the Acrobatic Arts family from the very beginning, and last week that journey hit a whole new level. Jill, her daughters Zoe and Jada, and dancers from the Supernova Acro studio took the stage on America's Got Talent as the Acro Canine Crew, Acro and Dogs, and guess what, Terry Crews ran straight to that golden buzzer. 

Loren  1:12  
Today we are getting into all of it, the Acro Canine Crew origin story, the secret keeping, the dogs, and of course that amazing moment on stage. Buckle up, everyone. Here we go. Before we begin, a quick reminder for anyone looking for professional acro training. Acrobatic Arts trains and certifies 1000s of teachers around the globe. You can learn more about our programs and upcoming courses at Acrobatic arts.com Now let's welcome our guest for today.

Loren  1:51  
Jill, Zoe, and Jada. Welcome to the Acrobatic Arts podcast. 

Zoe  1:56  
Hi

Jill  1:56  
Hi everyone.

Loren  1:59  
Jill, you've been on the show quite a bit, but your daughters Zoe and Jada haven't. How about Zoe and Jada, you give us a brief introduction on who you are and what you've done. Zoe, why don't you go first?

Zoe  2:12  
Okay. Yeah, sounds good. Hi, I'm Zoe. I'm the daughter of Jill Ford. I usually do a lot of traveling with Acrobatic Arts and help demonstrate for the M2's, and Acro has always been a huge passion of mine growing up at an Acro only studio.

Loren  2:26  
And Jada

Jada  2:28  
Yeah, hi, I'm Jada. I'm also Jill's daughter. I grew up doing primary acrobatic exams all the way to pre pro three. I've never missed a single one, so it also has been my life since I was like six years old.

Loren  2:41  
Fantastic. And I know I've examined you in probably more than two exams, yeah. And I've really seen both of you grow up, so this is so exciting for me to have you on the show. So, thank you once again.

Zoe  2:54  
Yeah, thank you for having us. 

Loren  2:56  
All right, Jill, we have to get into it. How did America's Got Talent even land in your lap? When did this whole thing start?

Jill  3:06  
Okay, so last summer, August 2025 I received emails, probably actually before that in the summer, probably July 2025 I received an email from this lady from outside of Calgary, who is a professional dog trainer, and she had this idea of going on America's Got Talent, because she'd already been on years before with just her dogs, and she wanted to add acro dancers to the dog act, and asked if that would be something I would want to pursue with my acro dancers. I ignored the email because I thought it was crazy, and I was like, no, I don't have time for this. 

Jill  3:44  
And then it, we were actually Zoe and I were actually on an Acrobatic Arts course together, and we're sitting in the hotel room, and another email came from her, and so, long story short, we decided to go for it, because you know, I always remember on those M2 courses, Justin Timberlake saying, you know, you've got to become a learner again, you always are a beginner, and that's what makes you grow. So that kind of resonated with me, and it's definitely something we've never done, is doing acro with dogs, and what an opportunity for our studio and our dancers, some of our dancers to have, I mean, to go on the biggest stage in the world, so we went for it.

Loren  4:28  
What did that preparation actually look like? Because I imagine getting a group of young dancers ready for that stage is no small thing.

Jill  4:38  
Yeah, we wanted all ages in our act, so that was a tough choice, because I have so many talented acrodancers at Supernova. We just picked ones that I knew mentally could handle it, ones that had super supportive parents, and you know, because it was going to be a massive time commitment. So just that mindset that I knew could, yeah, because it. Was so much pressure, and I actually didn't realize how the pressure would be until we got there, like in LA. So we started in my backyard with the dogs, just playing with the dogs and the girls, and just trying to, like, evolutionize, like, what we could do. That's simple, because the dogs can't do, like, massive things, and so it was just trying to be creative that way, and keep it safe for both the dogs and the girls.

Loren  5:26  
And Zoe and Jada, maybe each of you could touch on sort of what that rehearsal process started to look like, and how often, and things like that.

Zoe  5:36  
Yeah, as we were getting closer to the show, it ended up being because lots of our, the dancers are younger, and they were in school, so we'd have early morning at 6am then they would go to school, and then they, we would come back again and do rehearsal at in the evening, and that was like every day leading up to it, so that came a lot, especially for the younger ones, we weren't as bad, because we didn't have to go to school after, but yeah.

Loren  5:58  
And Jada, how do you think everyone sort of came together, and what about the dogs?

Jada  6:05  
Yeah, it's honestly crazy. Like, we definitely had to pack in our schedule a lot for practices, and to get everyone there. It's been nice seeing everyone's fully committed to this team. Yeah, just a lot of early mornings, sometimes late nights, also with the dogs too, like coming off and on, maybe like it's never fully like 100% so trying to be fully committed and do as good as possible.

Jill  6:31  
Yeah, and I think like what Jay was saying is like the dogs had to learn how to go on and off stage because they're usually just with their trainer the whole time of one on one, so they had to learn, you know, being with 22 girls, plus the exits and entrances, which was kind of crazy to teach them how to do that.

Loren  6:50  
Yeah, yeah, Jill, I think there's a sort of a well-known thing that working with children and animals is crazy, and you did both.

Jada  7:00  
especially with the big audience, too. You never know how the dogs are going to respond to that, like all the loud clapping and noise, like if they're going to get distracted and look up at the audience. Like, I feel like there's always that possible scenario too.

Loren  7:11  
So I'm imagining that the dancers, you became really close with the dogs.

Zoe  7:17  
Yeah, definitely became really close with all of the dogs, and especially, we only used six in our first one, so we're adding more in our second, so it's been really fun to get to know all their different personalities, because they do, they're really like people in that sense, like they're very, you can tell, you're like, oh, there's Fabio, he's gonna be a little slower in the morning, and then, oh, but Chardonnay, she's ready, she's gonna go for it right off the bat, like it's so funny to add to be able to get to know who they are and what they're going to be like every rehearsal.

Loren  7:45  
I love it. And as we're talking, you have both of your dogs with you, which I think is so cute, and also made you familiar with being around dogs.

Zoe  7:56  
Yeah,

Loren  7:57  
I have to know, how on earth did you keep this a secret? We're talking about young dancers, excited families, your whole community. How did no one blow it? 

Jill  8:10  
Well, we had to keep it under wraps under social media, so we were very.. we were instructed by America's Got Talent, no spoilers, like you can't put it on social media. So we were very strict on that, because we didn't want to lose our opportunity to go back, but everybody knew, sort of, that you couldn't spread it, and I think that was like our motivation, because we just didn't want to risk anything, but it was hard, because we were like, obviously so excited, and just wanted to tell everyone, and you know, but we had to wait till June, so that was March, April, May, yeah, like three months, we had to wait two and a half months, so

Loren  8:49  
And then there were the dogs, nobody saw that coming, nobody

Jill  8:54  
The whole surprise part was part of making it like a wow thing, because we wanted people to think, oh, just another acro dance, and then you know the dogs come out surprised, so that I think was that hit like really well, I think, and yeah, I think the dog, we did get a stage rehearsal right before on the stage, and the dogs actually did quite well, but I mean there was 1000s of people in the audience, and they are the loudest audience we've ever experienced, like it was, it was next level, like wow. The dancers, I knew they were locked in. I was like the little seven year old, oh my gosh, like they were walking on the stage, glossy eyed, and Zoe was trying to, like, I remember you're saying to them, like we were saying, Zoe, like it's okay, or like just, 

Zoe  9:38  
yeah. I mean, I was pretty stressed out too, because I was, I'm also like, I don't love public speaking, and I was obviously the spokesperson for the whole group. And backstage, there's a lot, like, you know, they're telling me what to say and how to say it, and, and I was like, starting to freak out a little bit, because I'm like, oh my goodness, the judges are walking past us, talking to us at the same time, they're like people running around, there's other acts, and we're like trying to pretend. The dogs aren't interact, they're just like in kennels in the back, 

Zoe  10:02  
and the dogs are hidden, because Simon Cowell was backstage with us, because we were the very first act of the session when they filmed, the judges, you know, come out and be introduced, so they were chatting with us, Terry Crews, like all of them, Simon Cowell, all four judges were chatting with us, the dogs were hidden, so as soon as it was our turn, we're rushing, bringing the dogs backstage, getting them set up. It was just like

Jada  10:27  
crazy, 

Jill  10:28  
it was crazy. We did it. 

Loren  10:34  
Yeah,

Loren  10:34  
and you sure did. And let's talk about your acro dancers, so we have Simon Cowell, Howie Mandel, Sophia Vergara, and Mel B sitting right there in front of them. You mentioned they were glossy eyed, like were they losing their minds?

Jill  10:53  
Jada, you want to go?

Jada  10:54  
Yeah, it was kind of crazy, even when I remember when we were all done, like they all like stood up and I was like, what? The I was like, this is crazy, like a standing o from all of the judges. I was like, not expecting that. And then when Terry came out and like smacked the buzzer, I was like, so shocked. I didn't think that we would go that far, and like, with the judges too, they all loved it so much, and it was just.. it meant a lot.

Loren  11:19  
And Jill, what about you? You said you were freaking out a bit. How did you sort of keep your calm so that your dancers could do their job? 

Jill  11:27  
Yeah, that was a big part of it, because I saw a few of the little ones, like the moms had to stay, like they were with them, that's part of the roles with AGT, like they have to have a parent with them, like pretty much all times. So when they were saying goodbye to their parents, I saw a few of them. I'm like, "Oh boy, oh boy, no. Like, okay, let's go. And like, and we were trying to distract them, and then we had, like, there was lots of cameras in our faces, but I just said, "You guys have worked, this is easy for you, like this is, you're used to doing like more like things in a dance, because we had to incorporate the dogs, you know, they were responsible for two or three parts, whereas usually in a routine they've got to do the full three minutes. So I said, you've got this, like we have rehearsed this more than you've rehearsed any other number that you've done on stage. So I just kept, you know, reinforcing that part of it, and I think that helped with their confidence, because it truly was like this was a totally different type of routine that they were used to doing, so I think that helped. Maybe

Zoe  12:25  
showing, like, I was like honest with the kids too, like I'm really nervous too, like it's okay, and I'm their teacher as well, like I teach almost all of them. Yeah, so I think it was really cool for us to kind of go through all of those emotions like together, and like, yeah, I don't know, it felt really special for me to be able to do that with all of them. Yeah, so I think that was really cool.

Loren  12:43  
It's definitely a special experience that your whole group will remember forever, and brought you together in a way that nothing can. So, again, congratulations to all of you. I think it's fantastic. So, you did all the work, you kept all the secrets, you got the dogs used to coming on and off the stage, and it actually happened. What was the moment like when you were standing in the wings, and I'm going to direct this to Jill, but what was that moment like when they actually walked out onto that stage?

Jill  13:19  
I, it was actually hard for me to believe, I was like, this is happening, like I can't believe this is happening, like you prepare for it, but you don't really like it's so hard, like when you're there, you're just like I don't know, I wasn't prepared for that emotion, and I was pretty good, I kept my emotion in, and I was just like saying, here I am standing right beside Terry Crews, like, are you kidding me? And, but I was so focused on what they were doing, I didn't really let that affect, but then I would keep my hard hat on, kind of, but then halfway through the routine, when it was thing after thing, and they're just nailing it, I was like, it was a, it was a, it was a real surreal moment for me, just think of how far I've come, and our studio has come. It was, it was a real, like, I don't know, it was just like hard to put in words, but I did have a good emotional breakdown when it was all done, like I just finally just let it go, and kids are kind of looking at, like, it's okay, it's happy tears, but it's okay, but it was just, you know, I've put 20 years into building this studio, and like, from dragging my mats from place to place, and renting here, and renting there, and then seeing these kids, like, on America's Got Talent, it's.. it was just.. I don't know, I was like, "Wow, it was pretty, pretty special. And then to have these, my daughters on the team too, I mean, I can not at a better moment, like it was just, yeah, pretty special.

Loren  14:47  
Sometimes things are perfect, and they just all click together, and I'm so happy for you, and that you had that moment. So, your dancers go out there, Jada, Zoe, everyone's doing great, the dogs are doing their thing. What was the feeling like in the room, and what were you thinking before the judges reacted? So, after you were done, and then while you're waiting,

Zoe  15:11  
I mean, it was kind of cool, because the judges were so close, so you can see their emotions, like when, when I remember, because Jaden and I, we're on the floor, and we're like, the other girls are leaning on us for the one of the first one or the second one, and you could just see their faces light up, and they're going crazy from there, like whether you can see their faces right there. So I think we kind of knew through the whole thing, like I was always trying to look at the judges, because I love seeing that their reaction, because it was so like genuine, and like yeah exciting, 

Jill  15:38  
Like I think that fueled you, like because sure, like, or right when you guys left, and the dogs came in, and they just went wild, yeah. It was,

Jada  15:45  
I saw Sophia's arms go up through, like, yeah, Scorpion, and I was like, "Oh my gosh, because it's a competitive dancer, you don't really see the judges, it's very dark, but on this AGT stage, there's lights everywhere, and you can see the whole audience, even like, yeah, people clapping, it's crazy, so yeah, 

Loren  16:01  
I do think Jill, it's what you said, like they actually saw the magic, felt the magic, and then that's what made it different from all your rehearsal, because you do it over and over, and you sort of get, you know, into a rhythm, and but once you see how it's affecting people, I think I could feel that and see that on the stage too, and everyone that I've talked to that has watched it had the same reaction to it, was it was fantastic.

Jill  16:26  
Yeah, I think that's another really thing, the thing that I'm really proud about is that, you know, it didn't have all these crazy tricks and stunts, like it was just so.. it just, it hit people in the heart, and I feel like that is so special and so Canadian, like it just, if it can be any Canadian like that, in the way the girls reacted, it was so genuine, and like it really was. There was no acting there, they, I mean, it was, it was so genuine, and I just, yeah, very Canadian. 

Loren  16:54  
And then, you know, to top that all off, you, you see their reaction, you know that they enjoyed it, but then Terry Crews hits that golden buzzer. Now, what's happening for everyone in that moment?

Jada  17:13  
I honestly, I blacked out a little bit, like I learned, I just saw, I just like, what is he doing walking, and then all of a sudden his like hand comes up, and I'm like, "Oh, you're pressing it, and then everyone's like going like this, shaking like everyone's looking at each other, and then like he presses it, and we're all just like there's this confetti coming down, and like looking up, I'm like, "What is going on? Like, I was so starstruck, like it was crazy.

Jill  17:39  
Yeah, it was not expected, and I was right beside him, so I knew before anybody knew that he was going to do it, and I was like, so then I was staying off stage, I was letting the girls have their moment with the dogs and everything on stage, I didn't need to be out there, and then I was like, I'm going out, so I just booted it out, and there it was really cool, so special. Yeah,

Loren  17:59  
What about you, Zoe?

Zoe  18:01  
I agree with Jada, like it was just like I don't even remember, like after it answering the questions, and like the crowd was so loud I wasn't able to like hear sometimes what the judges were asking or saying, so it was just like a lot of like trying to figure out like focusing, but like there's so much going around, and then yeah, when they were, he pressed the golden buzzer, it was just like I don't know, looking at the girls' faces for me got me, like when I saw kids that I've never seen cry before cry, I was like, oh my goodness, like my heart just like I was so happy, like yeah, it was an incredible experience for sure.

Loren  18:34  
Of course, I've been watching your every moment, I've been following all the things I can follow. Do they give you the golden confetti in a little box?

Zoe  18:45  
Yes, yeah,

Jada  18:46  
everyone in our pockets, we..

Jill  18:49  
I have one for the studio, so I have little ones, so I'm gonna make a little like thing for the studio, yeah, put it in there. So,

Loren  18:58  
Oh, that's so cool, that's so cool. I don't know a single person who has not watched that routine on repeat when it first came out. What has the response been like for you? And I know you've mentioned you sort of didn't think ahead, but like has it hit you yet?

Jill  19:21  
Yeah, I mean, I didn't realize how it would get, how viral it would go, and how many people it would reach, like from all over the world that are saying best act, best thing, like you know, you, when you see a video up, you always, there's going to be negative stuff, of course. Well, out of, like, you know, 400 plus comments, I think there was maybe two or three that were negative, so like that is pretty outstanding. Like, I did not know that our routine, you know, like you said, those 6am practices, like over and over, I'm like, oh my gosh, I didn't know that they would hit like that, like to affect people in such a positive. And I think it's just our world is like a little bit chaotic right now, and I think it's what people needed in their life right now, and I think it was perfect timing for all of that, and just, yeah, it just made people smile, and that's, we did our job, it's like perfect,

Loren  20:15  
That sort of leads me into my next question, What has changed since that buzzer went off, so now that you sort of achieved something that you didn't even think was possible. What has changed for your dancers, your studio, and for you personally?

Jill  20:34  
I definitely have a lot, a lot of emails coming in, so I've been doing a lot of emailing and a lot of action there, and we are expanding our studio. We have a very small studio currently right now with only one large studio and one mini studio, so we're actually in the works of moving. So I'm opening new studio that has three big studios, we can offer more classes and things like that. So that's super exciting, as far as the students go, I don't think a lot has changed. They're, they're remaining humble, they're, you know, and trying to keep it like, because it is only 22 kids out of our 250 we have, so we're just keeping it that it's like it's a still a studio thing, and this is like, you know, everyone's going to benefit from this, and I think it's been great with just getting the acro genre out there. A lot of people don't know about acro, and I think that has been amazing for the acro. Everybody that has acro in their studio, I think people now know about it, are inquiring about it, and if I can help other studios grow in their acro program, that's a win, triple win, like Acrobatic Arts too, like what a huge part that they have played. All these dancers that are on our team are all Acrobatic Arts trained, so you can really, you can really see that too, that I think if we can help as all different, you know, areas, and I think it's pretty outstanding.

Loren  22:03  
You're already back in rehearsals for the next round. Can you walk us through, like, what happens now? I know you probably can't tell what is going to happen, but are you just sort of back to your normal rehearsal schedule, or are you upping a little bit? Tell us as much as you can. 

Zoe  22:23  
We're rehearsing our next routine for the quarter finals now, so lots of rehearsals, new routine, new music, new tricks, some new dogs, which is great. And then they're all like, we're making the kids also, they got to train the more classes to keep up their skills, make sure technique stays good, they're still young and still learning too, a lot of them, so, but yeah, I didn't. Lots of good stuff coming, so look out,

Jill  22:46  
and like, well, and we have to have routines ready in case, because a lot of people think that it's all pre-recorded, but just our March rehearsal was, and then they aired it in June. Now, going forward, they're all live, like, so the dogs with you get what you get, like, and there's nothing, so they can't edit anything. So our air date is September, beginning of September. So we do that quarter final. If we make it, they keep us there, and then the next round we have to have a new routine ready to go two weeks from that. So we have to have these routines all prepped and ready to go, and then if we make it past that, a week later is finals. So, if we keep getting through, we have to have three, three. Well, we have one routine work now, but we have to have two more that could potentially go on, and maybe not. A lot of work right now, and a lot of commitment, and these kids are used to having the summer off. I don't make my kids train throughout the summer. They can, if they want, take some classes, but this year it's they've training a lot, so it's a big change for it's a huge commitment for the kids, the families. It's basically our whole summer, so our summer is looking a lot different than the usual summer. We're going to get to the lake for like a week, but other than that, it's, it's, we're really training hard because we have to prep so much stuff. So,

Loren  24:09  
Jill, for every studio owner listening right now who is dreaming big for their students, what would you tell them to take away from your story?

Jill  24:21  
Take a chance, go for something that you think is crazy, because I mean, even if we wouldn't have gotten the golden buzzer, even if we just got to the Americas Got Talent, got on that stage, and you know, maybe the something didn't go as well as we planned, it still would have been worth it, because just trying something new, and giving like kids an opportunity, and myself, and like Zoe and I doing this choreography, it's a chance in a lifetime, and I think it can just build the momentum, and I don't know, I think that's the biggest thing, and we said no, no, and then ended up saying yes, so it was like, you know, I. Don't know, I think that's probably what would you say, Zoe,

Jada  25:04  
taking the risk, something different. 

Zoe  25:07  
Yeah, always go out of your comfort zone. I think that's a big thing.

Jill  25:10  
There were a few days, well, not a few many days that I was like, I'm done, I can't do this anymore, and like I wanted to like throw the towel in, because it's just a lot of managing, like we're just two totally different groups, so to come together that and learning to work together, it's been a huge challenge. So just learning to do that as well. There was many days where it was hard to say the least, but we pushed through, and now we're remaining to push through, and there's other things that have come up, but you just got to look at the big picture and remember, always remember why you're doing this, and it's just the experience and giving these kids something that they'll remember for the rest of their life, and I will too.

Loren  25:53  
And Jada, is there anything special you want to tell the listeners? 

Jada  25:59  
Yeah, I think it was just an amazing opportunity, like I think it's such an icebreaker conversation too, like I don't.. I, I'll take it to my grave. I don't know, I feel like it's just so crazy, like I would have never thought I'd be on America's Got Talent, like that wasn't in my books. And then now I'm on it, and it's like insane. And also, growing up watching it too, like it's just crazy that I get to say that I've been on it, and it's been an honor and an opportunity, and very grateful, especially to be so close to all the dancers now, having that connection with all of them, and again, doing it with my mom and my sister, which are my best friends. So,

Jill  26:34  
yeah, it's been.. it definitely was brought us a lot closer.

Jada  26:37  
Yeah, for sure. 

Loren  26:39  
So, Zoe, what about you? What special thing would you like to say about this experience?

Zoe  26:44  
I mean, for me it was really like it gave me a really good taste of what it would be like, because it is all film was really cool for all the kids to kind of get that taste of what it would be like to do film and TV, and I think that was like, yeah, another huge thing that was really cool about the experience, and gave us a new outlook on what you see on TV, for sure,

Loren  27:03  
Fantastic. And Jill, is there anything you'd like to say in the final remarks? 

Jill  27:09  
I do need to say thank you to all of the support, like the support and the love has just fueled us, and I think that's been so amazing, the support of, like, Acro Family Acrobatic Arts people that don't even know us. I mean, it's been heartwarming, and just like unbelievable, the response and the support. So, if we can keep that going and get that support, keep going. I mean, it's amazing. So, thank you.

Loren  27:39  
Well, on behalf of myself, and I'm sure everyone in the dance and acro community, and the rest of the world, we want to wish you all the best for the upcoming live taping of America's Got Talent. And I want to thank Jill, Zoe, and Jada. I want to thank you so much for coming on the show today.

Zoe  28:01  
Thank you for having us. 

Jill  28:03  
Thank you.

Loren  28:10  
 If you enjoyed today's conversation, be sure to subscribe and follow, so you never miss an episode, and if you know a dance teacher, student, or parent who would love to hear this discussion, send it their way. 

Loren  28:24  
Sharing the show is one of the best ways to support the podcast. Until next time, find power in your strength, freedom in your flexibility, and know that we are here to support you on your acro journey. 

Loren  28:41  
Thanks for listening, everyone, and have a great day!